David M. Staton |
“I hate writing, I love having written.”
Portfolio of Academic Presentations & Writing
Books
D. Staton, “A Small Market Newsroom; Surveying the Field,” in The Proceedings of the World Journalism Education Congress, July 2019, Paris. FR (in press, 2020 publication) . D. Staton, “Eve (and Eden) Redeemed,” in The Image of Redemption in Literature, Media and Society: 2018 SASSI Conference Proceedings, Thomas G. Endres, ed., Society for the Academic Study of Social Imagery, 88-93. D. Staton, “Life (and death) with Dignity: Agency and the Heard Gaze,” in The Image of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings, Thomas G. Endres, ed., Society for the Academic Study of Social Imagery, 65-75.
Non-Refereed Book Chapters
- D. Staton Visual Evidence: Theory and Methodology for Contemporary Visual Communication forthcoming 2023, Routledge New York: NY
- D. Staton and K. M. Ryan Eds. (2022), Interactive Documentary; Decolonizing practice-based research. Routledge, New York: NY
- D. Staton, D, Macey and M. Napierski-Prancl Eds. (2022), Persevering during the Pandemic: Stories of Resilience, Creativity, and Connection. Lexington Books, Washington D.C.
- D. Staton, “The Heard Gaze,” Eikön Imago, 10 (2021, pp. 211-220)
- D. Staton, “Calling Time Out in Doha: The Seiko Block Camera and Image Ethics.” Journal of Communication Inquiry/
- D. Staton, “A Small Market Newsroom; Surveying the Field.” Journal of Media Education (April, 2020, pp. 46-48).
- D. Staton, “Darkness visible; blindness and borders/memories and movies,” Visual Studies (June, 2020, pp. 1-9).
- D. Staton, “Dragnet and the Big Idea,” InMediaRes (June 2, 2020), http://mediacommons.org/imr/content/dragnet-and-big-idea
- D. Staton, “Dun Dun!!: That Law and Order Sound,” InMediaRes (August 28, 2019) http://mediacommons.org/imr/content/dun-dun-law-and-order-sound
- D. Staton, “The Super Bowl: Re-examining a ‘spectacle,’” InMediaRes 17:19 (January 26, 2018), http://mediacommons.futureofthebook.org/imr/2018/01/26/super-bowl-reexamining-spectacle
- D. Staton. “Persevering Through the Pandemic: Communication, Creativity, and Connection,” in Crisis Communication and Media Research. T. Coombs, ed. (invited, in production).
- K. M. Ryan and D. Staton, “Oral History, Visual Ethnography, and Interactive Documentary,” in The International Handbook of Ethnographic Film and Video, P. Vannini ed. (invited, New York, Routledge, 2020)
- D. Staton, “Jemelle Hill, Twitter and ESPN: Thinking Inside the (Potter) Box,” in The ESPN Aftereffect, J. McGuire, G. G. Armfield, and A. Earnheardt eds. (New York: Peter Lang, 2019).
- D. Staton, “Lipsyte, the League, and ‘The Leader’: An Ombudsman’s Tale,” in The ESPN Effect: Exploring the Worldwide Leader in Sports, J. McGuire, G. G. Armfield, and A. Earnheardt eds. (New York: Peter Lang, 2015).
- Producer, director, cinematographer, writer, editor, Ghost Resort, screened at international and national festivals.
- Producer, co-writer, Pin Up! The Movie (Taylor Cat Productions, 2015, website www.pinupthemovie.com). Film and interactive documentary. Feature film length documentary released in 2015. Interactive documentary released in 2017 using RacontR content management system (www.pinupthemovie.com) with update in 2020. Project also includes blog (https://pinupthemovieblog.wordpress.com/), social media (@PinUp_TheMovie on Twitter, https://www.facebook.com/PinUpTheMovie on Facebook, https://www.pinterest.com/taylorcatpdctns/pin-up-the-movie/ on Pinterest, PinUpTheMovie on Instagram, and http://pinupthemovie.tumblr.com/ on Tumblr). Screenings and acceptance rates (when available):
- Official Selection, Big House Los Angeles Entertainment Festival/Woman Up Film Festival 2015, Los Angeles, CA (15% acceptance rate).
- Official Selection, Albuquerque Film Festival and Comic Con 2016, Albuquerque, NM (15% acceptance rate).
- Official Selection, Cinerotic at The Dirty Show 2016, Detroit, MI (invited).
- Official Selection, Ethnografilm Film Festival 2016, Paris, France (<15% acceptance rate).
- Official Selection, Ethnografilm Film Festival, Thiruvananthapuram, India, 2016 ( <1% acceptance rate; films curated from the main festival in Paris).
- Official Selection: Comic Con International Independent Film Festival 2016, San Diego, CA (<10% acceptance rate), includes online streaming on Comic Con’s password-protected website.
- Official selection: Woodstock Museum Film Festival 2016, Woodstock, NY (15% acceptance rate).
- Invited to screen at the University of Oregon, May 2016.
- Invited to screen at 1940s Ball, Boulder, CO, June 2016.
- Invited to screen at TikiCon 2016, Portland, OR, July 2016. Invited to screen at Illinois State University, February 2017.
- Invited to screen as part of plenary activities, 2017 Society for the Academic Study of Social Imagery Conference, Greeley, CO, March 2017.
- Official selection and closing festival film, Bare Bones Independent Film Festival, Muskogee, OK, April 2017 (15% acceptance rate).
- Rendezvous Film Festival, Amelia Island, FL, September 2018. (invited screening).
- Creator, “Looking at Laurie.” Digital humanities project employing Scalar, 2014 (http://scalar.usc.edu/works/looking-at-laurie/index).
- Producer, co-writer, Homefront Heroines: The WAVES of World War II (Taylor Cat Productions, 2013, website/social media/blog www.homefrontheroines.com, www.hingesofhistory.com). Screenings and acceptance rates (when available):
- Invited to screen as part of Making Mainbocher: The First American Couturier at the Chicago History Museum, February 2017.
- Official Selection, Sarasota Film Festival/Through Women’s Eyes, April 2013 (<10% acceptance rate);
- Official Selection, San Pedro International Film Festival, October, 2013 (15% acceptance rate.
- Producer, co-writer, Backstretch (Taylor Cat Productions, 2006), aired on Southern Oregon Public Television, Fall 2007; Rogue Valley Community Television, 2014.
- Producer, video biographies, Staton•Greenberg gallery artists; video product used as marketing, promotional, educational tool; artists include: Larry Wiese (2005), Ray Carofano (2005), Keith Carter (2004), Joan Almond (2003), Nathan Ian Anderson (2003)
D. Staton, “A Small Market Newsroom; Surveying the Field,” in The Proceedings of the World Journalism Education Congress, July 2019, Paris. FR (in press, 2020 publication) . D. Staton, “Eve (and Eden) Redeemed,” in The Image of Redemption in Literature, Media and Society: 2018 SASSI Conference Proceedings, Thomas G. Endres, ed., Society for the Academic Study of Social Imagery, 88-93. D. Staton, “Life (and death) with Dignity: Agency and the Heard Gaze,” in The Image of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings, Thomas G. Endres, ed., Society for the Academic Study of Social Imagery, 65-75.
Non-Refereed Book Chapters
- D. Staton and J. Newton, “Photojournalism,” in Oxford Bibliographies in Communication, Patricia Moy ed. (invited, New York: Oxford University Press, 2019).
- D. Staton and K. M. Ryan, “’All I Want for Christmas is You’: ‘Tis the Season for Holiday Romance,” in Friends, Lovers, Co-Workers, and Community: Everything I Know About Relationships I Learned from Television, K. M. Ryan, D. A. Macey, N. J. Springer, and M. Erickson eds. (New York: Lexington, 2015).
- D. Staton, "Mad Hatters: The Bad Dads of AMC,” in Television and the Self: Knowledge, Identity, and Media Representation, K. M. Ryan and D. A. Macey eds. (New York: Lexington, 2013).
- Reviews
- D. Staton, “Review, Reporting Bad News; Negotiating the boundaries between intrusion and fair representation in media coverage of death, by Sallyanne Duncan & Jackie Newton,” Electronic News (forthcoming)
- D. Staton, “Review, IDocs: The Evolving Practice of Interactive Documentary edited by Aston, Gaudenzi and Rose,” Electronic News 12-3 (2018).
- D. Staton, “Review, Photography History and Theory by Jae Emerling,” Visual Communication Quarterly 21-3 (2014), 178-179.
- D. Staton, “Review, Why Art Photography by Lucy Soutter,” for Visual Studies 29-2 (2014), 221-222.
- D. Staton, "Review, "A Box of Photographs by Roger Grenier,” InVisible Culture, Issue 21 (2014), online https://ivc.lib.rochester.edu/portfolio/a-box-of-photographs/
- D. Staton, “Review, ”Surrealism and Photography in Czechoslovakia: On the Needles of Days by Krzysztof Fijalkowski, Michael Richardson and Ian Walker,” Visual Studies 29-2 (2014), 222-224.